I haven't written for a month because, quite frankly, the Anglican Wars are in a groove which seems to me predictable, if not inevitable.
So, let's reopen the blog with three visions of "suavity" (hey, if it's good enough for T.S. Eliot):
1. Period: Apologies to PG Wodehouse:
Wodehouse's Bertie sees himself as fitting the lyrics; the images selected by the compliler and the lyrics make the same point that Jeeves's puncturing of Bertie's self image does.
2. Period: Rex Stout's Turn:
Archie actually does fit the lyrics, so this lacks the irony of the Jeeves & Wooster video. Interestingly, my significant other thinks BBVD is perfect music to score Stout by.
3. Sci Fi: So Wrong it's--nah. Still Wrong. But Funny.
So, er, what's my point? Other than the fact that I think the use of the Big Bad Voodoo Daddy original song to heighten the original character's strengths and weaknesses is both amusing and successful--the application of that music to each character lends the soneg a different shade of meaning, and illuminates a facet of the character that a casual viewer/reader could miss--Bertie's fantasy of being a cool man of action, Archie's rather successful (though imperfect; he has to win Lily Rowan back at the end!) stab at it, and Baltar's dated self image in a futuristic world masks his more serious version of Bertie's fantasies.
BBVD has its own video--and they use their retro sound to pastiche old movies:
Big Bad Voodoo Daddy - Mr. Pinstripe Suit
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