The Troughton Era is getting well under way with The Underwater Menace, and it's clearly going to be a pretty mixed bag. On the positive side, there's a lovely opening scene when, as the TARDIS is landing, we hear each of the traveler's hopes:
BEN: We're just beginning to land.
DOCTOR: Hold tight, everyone.
JAMIE: Land?
POLLY: Don't be scared, Jamie, it's all right really.
BEN: I get a sort of queer feeling. See we never know what we're going to find, do we?
DOCTOR: Ah, that's the fun. Stand by, here we go.
POLLY: Please let it be Chelsea 1966.
BEN: Hope it's the Daleks, I don't think.
DOCTOR: Prehistoric monsters.
Some of the character beats are spot on--Ben is sarcastic, assured, and resigned; Jamie confused, and Polly--well, here's the thing. Polly, who was so brash, resourceful, and funny in The Highlanders, is afraid, hoping anxiously for home. And that's pretty much how Polly is used in this episode. Our stroppy, smart "Duchess" (as Ben often calls her) is reduced to screaming, panicked, damsel-in-distress for far too much of this story. Annette Wills tries, and finds a few moments when Polly is her more feisty self, but she's fighting the script and the director here.
(Although, fair dos, Polly gets to demonstrate her powers of deduction at the start of the adventure with what is, basically, a sherlockomito, based on her having found a bracelet in the sand:
DOCTOR: Yes, it's difficult to put a precise date on these people.
POLLY: I don't think it is.
DOCTOR: All right then, when?
POLLY: Oh, I'd say about 1970.
DOCTOR: Can you prove it?
BEN: Yeah, go on, prove it.
JAMIE: How d'you know, Polly?
BEN: Ah, she's been studying her crystal ball.
POLLY: Abracadabra.
(Polly produces the bracelet she found.)
DOCTOR: Oh, how interesting, yes. Hmm. It's Aztec. Fake of course.
BEN: Mexico Olympiad.
POLLY: When we first left Earth it hadn't happened yet.
BEN: No, that's right, it wasn't due till 1968.
POLLY: Right, so now is any time later than that.
So it isn't all bad for Polly.)
The basic plot is unpromising: The travelers land in Atlantis, are about be sacrificed to the Atlantean deity, the Goddess Amdo. The Doctor bluffs his way to a meeting with the scientist who has promised to raise Atlantis out of the sea, Professor Zaroff (a strong, mad performance by Joseph Fürst). Zaroff quickly discovers that the Doctor's claim that "vital secret will die with me" (signed "Dr. W", so further supporting the argument that the character is in fact named Doctor Who.) is a bluff, but is amused at the Doctor's effrontery. But then the Doctor discovers Zaroff's intentions are to raise Atlantis, but also to destroy the world, as scientists so often wont to do:
DOCTOR: Even supposing you succeeded, you know what will happen, don't you?
ZAROFF: You tell me, Doctor.
DOCTOR: Well, the water will be converted into superheated steam, the pressure will grow, and crack the crust of the Earth. Destroy all life, maybe even blow the planet apart.
ZAROFF: Yes. And I shall have redeemed my promise to lift Atlantis from the sea. Lift it to the sky! It will be magnificent.
DOCTOR: Yes.
ZAROFF: Bang! Bang! Bang, bang! That's all.
DOCTOR: Yes. Just one small question. Why do you want to blow up the world?
Meanwhile, the Atlanteans are planning to make Polly one of their "fish people"--former human beings converted into fish/human hybrids, and treated as food gathering slaves.
The three succeeding episodes are a bit of a run-around: The Doctor recruits a priestly ally, then the political leader, but Zaroff outwits him. Ben and Jamie effectively recruit some miners to help take down Zaroff, Polly screams a lot, but also plays a constructive part, the Doctor and Ben thwart Zaroff at the very end,and the TARDIS team takes off--who knows where?--while their Atlantean friends, who have seen their temple and lower levels flooded--grieve for them, and plan a new, more fair, Atlantis as their memorial.
Troughton is mercurial and charming, and Jamie is beginning to adjust. The design range from the silly--fish head masks for the temple ceremonies--to the sublime. There's an extended sequence among the fish people that doesn't advance the plot, but brings us back to the sheer demented weird spectacle of Auntie Verity's Pandemonium Shadow Show, best exemplified by The Web Planet. The show's not quite sure what it is yet, with Troughton but it's coalescing, and still determined to be Doctor Who.
Please, for the love of sanity, don't react with any suggestion that I should be proud. It's just another day. The only thing I did right was, 22 years ago, saw a flash of light, like a spark on a subway track that lights the way the train is headed for a split second, and summon the courage to walk down a flight of stairs.
The rest was other people taking care of me, loving me when I was incapable of doing that, and what we call "Higher Power," be that God, the group, or the program.
The downside to the anonymous nature of the program is that you are limited in who you can publicly thank. My calm and always grounding sponsor, the wonderful couple who drove me to weekend meetings when I didn't have a car, all the many people who cared for me then--thank you, with all my heart.
One man I can thank publicly, though he is no longer with us, except in memory--Phil P., who hugged me as a newcomer, hugged me harder when I moved back to New York City after a few years away, and was my friend. He's the only person I know who wrote his story up for the Big Book He died in 2016, and I miss him still.
By a strange fluke, I had a mutual friend with Jonathan Larson, and Rent was a signpost on the way to that stairwell. So I remember:
There's only now, there's only here
Give in to love or live in fear
No other path, No other way,
No day but today
Concerning a certain water beast driven away by the power of the blessed man's prayer.
Also at another time, when the blessed man was for a number of days in the province of the Picts, he had to cross the river Nes [Ness]. When lie reached its bank, he saw a poor fellow being buried by other inhabitants; and the buriers said that, while swimming not long before, he had been seized and most savagely bitten by a water beast. Some men, going to his rescue in a wooden boat, though too late, had put out hooks and caught hold of his wretched corpse. When the blessed man heard this, he ordered notwithstanding that one of his companions should swim out and bring back to him, by sailing, a boat that stood on the opposite bank. Hearing this order of the holy and memorable man, Lugne mocu‑Min obeyed without delay, and putting off his clothes, excepting his tunic, plunged into the water. But the monster, whose appetite had earlier been not so much sated as whetted for prey, lurked in the depth of the river. Feeling the water above disturbed by Lugne's swimming, it suddenly swam up to the surface, and with gaping mouth and with great roaring rushed towards the man swimming in the middle of the stream. While all that were there, barbarians and even the brothers, were struck down with extreme terror, the blessed man, who was watching, raised his holy hand and drew the saving sign of the cross in the empty air; and then, invoking the name of God, he commanded the savage beast, and said: "You will go no further. Do not touch the man; turn back speedily". Then, hearing this command of the saint, the beast, as if pulled back with ropes, fled terrified in swift retreat; although it had before approached so close to Lugne as he swam that there was no more than the length of one short pole between man and beast.Then seeing that the beast had withdrawn and that their fellow- soldier Lugne had returned to them unharmed and safe, in the boat, the brothers with great amazement glorified God in the blessed man. And also the pagan barbarians who were there at the time, impelled by the magnitude of this miracle that they themselves had seen, magnified the God of the Christians."
No, you can’t blame the Zygons,either. (Besides, there’s a treaty, so we have to let Zygon be Zygons.)
In the Name of the Father, and of the Son, and of the Holy Spirit.
We live, in case you haven’t noticed, in unsettled times.
We’re all living in an era where there’s constantly too much to do, working longer hours with more projects.
Or hourly workers, who have to cobble together several jobs to put together a living wage. Minimum wage workers in big box stores, but college professors, too.
I know an adjunct professor who managed to pay the rent on her little Jersey City basement flat by teaching at three different colleges, in three different boroughs of New York City. She’d get home, and pick up a novel, unable to read it, because the page would blur.
She told me that she was one of the lucky ones—she was making rent, unlike one of her colleagues who had to sleep in her car.
And let’s not mention politics and the twenty-four hour news cycle.
OK, we have to. Sorry.
But the Friday night news dump has become such a reliable flood of shock and outrage that you can get so worked up that getting a good night’s sleep is out of the question.
We want to be educated voters. We want to be efficient, hard-working members of our booming economy, each of us chasing Gatsby’s green light, the symbol of having arrived, of success.
And so, for all of our abundance, American workers are the most overworked in the developed world. Maybe it’s a secularized version of the Protestant work ethic and the Spirit of Capitalism described by Max Weber—trying to overcome the fear that we are unworthy by achieving spectacular concrete success in our callings.
Which would explain the McMansion, at least.
We even work to hard at distracting ourselves, at amusement.
Pop culture is popping all around us. Blink, and you’ll miss the new Star Wars film—what are we up to now? Solo's come, but has it gone yet?-- or The Death of Stalin in the arthouse, or the newest, bingeable TV show.
We want to be in the loop—to get everybody’s cultural references, to impress with being current. The Crown is so last year, and now we’re past Vanessa Kirby's sympathetic romantic Princess Margaret. Now we're watching Harriet Walter's icy, cruel Princess Margaret, while Benedict Cumberbatch's recovering addict tries to find a little kindness in himself. Patrick Melrose, not Melrose Place.
It’s all a little like Brave New World, where fun was compulsory, and if you don’t enjoy yourself hard enough—well, maybe you just need more.
This is what Henry Higgins meant in My Fair Lady when he yearns to be free from “humanity’s mad, inhuman noise.”
And that’s just the up side. The luxury problems. The fortunate ones whose distractions are relatively benign.
I haven’t mentioned the burn out that people who care for stricken family members have to shake off, the fatigue of caring for a spouse or a child who just doesn’t seem to get better, and yet who you can’t give up on. Those caregivers who are a little more depleted, day after day, a little more exhausted, a little more depressed. And yet who still push on, out of kindness, out of loyalty. Most of all, out of love.
I’ve seen that in surprising places. In my pre-ordination training, making rounds at New York Presbyterian Hospital. On sick calls. Long ago, in visiting a relative who had had a stroke years before, and whose wife kept on loving him, kept on coaxing him to eat, to talk, to stay rooted in his own life. I think her love bought him a decade. But at a price—her own fatigue and exhaustion.
We live in a world that expects us to always be on the move, hustling.
We live in a world where sometimes we need to keep pouring out love, caring for those who need us, despite the strain.
And—you might be surprised to know—that’s always been the case.
Paul, in today’s reading from Second Corinthians certainly seems to be flagging. He writes:
“We are afflicted in every way, but not crushed; perplexed, but not driven to despair. Persecuted, but not forsaken; struck down, but not destroyed;
Always carrying in the body the death of Jesus, so that the life of Jesus may also be made visible in our mortal flesh. So death is at work in us, he concludes, but life in you.”
Remember, too, that it is Paul who takes pride in earning his living while he evangelizes, on not taking support from the communities he visits. He describes himself and his companions as “your slaves, for Jesus’s sake.” He’s almost American in his work ethic!
But on reading this passage for today, I thought of a point well made made by the American cultural critic, Elizabeth Sandifer.
“The heart of classic tragedy,” she writes, “is generally that the hero is put into a position where their virtues become flaws. Othello, a brilliant soldier known for his decisiveness, is put into a position where the one thing he needs to do is slow down and think; Hamlet, a thoughtful and meticulous scholar, finds himself in one where delaying constantly makes things worse.”
So, here, I would suggest, Paul. His virtues—his need to prove himself a true apostle, to atone for his complicity in the death of St. Stephen, and in the persecution of Christians before his conversion, earnestness, persistence, endurance, a doggedness that won’t let him rest—all of these are leading him toward exhaustion.
Because nobody is called to live a death-in-life. Not even Paul.
He’s lost sight of the words of Jesus, as reported in Matthew’s Gospel. Jesus invites us, “Come to me, all you that are weary and carrying heavy burdens, and I will give you rest. Take my yoke upon you, and learn from me, for I am gentle and humble in heart, and you will find rest for your souls. For my yoke is easy, and my burden is light.”
And that’s perfectly consistent with today’s reading from Leviticus.
We are told that “God made it a decree in Joseph, when he went out over the land of Egypt. I hear a voice I had not known: I relieved your shoulder of the burden; your hands were freed from the basket. In distress you called, and I rescued you.”
We’re not meant to prove our worth by imitating the ants as perpetual work machines, and we’re certainly not meant to so lose ourselves in the work, in the roles we play, that we go on and on until we shatter. We are not just expected to rest, we’re required to.
That’s why we are reminded today in Leviticus that the Sabbath is not an option; it’s a law. A statute for Israel. An ordinance of the God of Jacob.
And, like the Pharisees in today’s Gospel, we have the knack for turning things that are meant to be good for us, healthy for us, into burdens.
So often, we turn Sabbath-time into a chore—if we take vacation at all. It’s not the same as time to do the projects at home that we can’t get to because of our busy work lives.
And it’s not compelled fun.
Anything—even the Sabbath—can be made into an idol, abused. Look at today’s Gospel, where Jesus so offends the Pharisees that they join with their enemies, the Herodians, to conspire to kill him.
Why?
Because he healed someone on the Sabbath. He didn’t observe the ban on all work on that set aside day of the week.
Jesus’s answer is so self-evidently true that it’s hard to understand why the Pharisees aren’t satisfied with it: “The Sabbath was made for humankind, and not humankind for the Sabbath.”
It’s not a law meant to oppress, it’s a law meant to create space for everyone, whatever their place in society, to breathe. It’s valuable because we need to rest, to step back and regain perspective. To just be.
To recharge and revitalize.
It’s easy to lose sight of that. In fact, William Ralph Inge, in his book Christian Mysticism, points out that religious doctrines—like the need for a Sabbath—start as fresh, life-enhancing insights taught by the person who has the flash of awareness, but as they are passed on again and again, they tend to decay from insight into rules, losing their connection to the values they serve. What was once a fresh idea becomes rigid, fixed, and with no obvious point other than obedience.
That’s what’s happened to the Pharisees here. They have forgotten the underlying purpose of the Sabbath and are enforcing a rigid rule the purpose of which is forgotten. It’s a test of conformity, nothing more.
Whereas the apostles, happily munching grain as they stroll through the fields with Jesus, enjoying their friendship and fellowship, have the right idea. That's sabbath done right.
So make time in your life for yourselves. Cultivate a space where you can be you, a time when you can push aside your cares, and enjoy what makes you happy. Because there’s always more work and worry, but that’s not what life is for.
It’s what we work for, those moments with friends, with loved ones, even with just ourselves and whatever it is that centers you.
Cheaper By the Dozen, a memoir about the family of the first efficiency experts, engineers Frank Gilbreth and his wife Lillian Moller Gilbreth, was written by two of their twelve children. The book ends this way:
Someone once asked Dad: "But what do you want to save time for? What are you going to do with it?" "For work, if you love that best," said Dad. "For education, for beauty, for art, for pleasure." He looked over the top of his pince-nez. "For mumblety-peg, if that's where your heart lies."
Only you can find your own Sabbath. I’d suggest you get on it, if you haven’t already. It’s wherever your heart lies.
In the Name of God, Creator, Redeemer, and Sustainer.
[1] After the service, a departing parishioner kindly assured me that Billions is still delicious. I am relieved to hear it.
[This Sermon was not delivered, because I wrote it unaware that we would not be using the reading that inspired it, but rather a complementary reading to the others from the Revised Common Lectionary. Still, I think it has some merit, and did not want simply discard it.]
In the name of the Father, and of the Son, and of the Holy Spirit.
Today’s reading from the First Book of Samuel is usually a great opportunity for a rallying sermon about God’s call to us. And we may get there yet.
But, I confess, my attention was diverted from the story of the repeated call of God to the young boy Samuel.
Because today, I am drawn to the tragedy interwoven with the call of Samuel, the first of the great prophets.
It’s a tragedy that reminds me of a great moment in The Lion in Winter, the film that pits Katharine Hepburn as Eleanor of Aquitaine against Peter O’Toole as Henry II, and Anthony Hopkins (Richard the Lionheart, of course), John Castle as an oilily plotting Geoofrey, and Nigel Terry (A particularly feckless John) against each other and their parents.
Near the end of the film, the young princes have temporarily banded together, under Eleanor’s direction, in an effort to rebel against their father. Henry outwits them, and has them immured in the wine cellar—“the royal boys are aging with the royal port,” he declaims, while he tries to figure out what to do with them.
As they huddle in the darkening cellar, cooperating for the first time in their lives—it takes teamwork to break through a port barrel and jerry-rig a spigot with only a dagger--and John finally shows he’s good for something.
But then they hear footsteps approaching, and fear that their father is approaching, with revenge on his mind.
Richard refuses to be cowed. “He's here,” he says. “He'll get no satisfaction out of me. He isn't going to see me beg.”
Geoffery scornfully answers him, “you chivalric fool... as if the way one fell down mattered.”
Richard replies, “When the fall is all there is, it matters.”
But back to Samuel, who repeatedly hears God’s call, but who repeatedly mistakes that voice for Eli. Eli , is finally instructed by his mentor, Eli the priest to, on hearing the voice Samuel keeps mistaking for Eli’s, to answer simply, “Speak, Lord, for your servant is listening.”
Samuel obeys Eli, and when he answers, God says to him:
See, I am about to do something in Israel that will make both ears of anyone who hears of it tingle.
On that day I will fulfill against Eli all that I have spoken concerning his house, from beginning to end.
For I have told him that I am about to punish his house forever, for the iniquity that he knew, because his sons were blaspheming God, and he did not restrain them.
Therefore I swear to the house of Eli that the iniquity of Eli's house shall not be expiated by sacrifice or offering forever.
The next morning, Eli confronts a nervous Samuel, and commands the boy to tell him what the Lord has said.
And, on hearing the doom of his house and family declared, Eli answers simply, “It is the LORD; let him do what seems good to him.”
When the fall is all there is, it matters.
Now, Eli has already been warned. His two sons have treated the meat offerings of worshippers to the Lord with contempt, the author tells us, by using them as, essentially, their own private source of rich food. And if any worshippers at the temple refused to give them the meat fresh and unburnt, they took it by force.
Eli, who was already old when this took place, remonstrates with his sons, who, predictably, ignore him. A man of God comes and tells Eli that his entire house will soon be punished—that they will all die, except for one survivor, left behind to weep in despair.
So Eli is not surprised.
Yet he continues to serve in the temple, continues to instruct Samuel, who grows into adulthood, and, on the day that the long-ago promised fall takes place, the now blind ninety-eight year old priest Eli topples to his death upon hearing that the Ark of the Covenant has been taken by the Philistines.
In other words, he falls because the most holy relics of God gathered by Moses have been profaned.
He dies for horror and shame that the temple he—unlike his sons—has served faithfully has itself fallen. His death is quick, and seemingly painless, and he dies of his great love for the God who he served to the end, knowing that the fall would come in retribution for his failures as a parent, not as a priest.
When the fall is all there is, it matters.
Eli serves in the temple for an unspecified number of years from his first warning (when Samuel is a very young child) until his death. But we know that Samuel is an adult at the time of Eli’s death, and yet Samuel’s prophecy that Eli’s house was about to fall had not yet occurred.
It’s so easy to view this story through the lens of modern concepts of justice, and come to the conclusion that God punishes His faithful servant for the acts of his sons, that God is cruel to Eli.
But is that really what happens in the story?
Two weeks ago, I had the privilege of preaching at this service about Romans chapter 8, where St. Paul tells us that all things intermingle for good to those who love God, to those who are the called according to his purpose. I reminded you that this saying of St. Paul means that the tragic aspects of life remain tragic, the losses are real, and that pain does not simply cease because we are followers of the Jesus Movement.
Rather, how we, the called, according to God’s purpose, play a part in establishing the pattern of light and dark in our own lives, and those lives we touch. And it is in our response to the call that we get to be active participants in God’s unending, unceasing, untiring efforts to redeem this divided, broken world, which groans in pain.
Witness Eli.
Told that he and his entire family—except for one broken-hearted survivor—will fall, Eli does not respond with bitterness against either his sons or the young prophet he is rearing up to replace him. He does not abandon the temple, does not, as Job’s wife advises him, “curse God, and die.”
No, Eli answers simply "It is the LORD; let him do what seems good to him."
And he continues his service, educating Samuel, praying, performing his priestly duties, even as time robs him of his sight, his body of its strength, and on the darkest day, when the Israelites are driven before the Philistines, he finally falls, falls and dies, his last thought his grieving the loss of the Ark, that most potent of all symbols of the covenant between the Israelites and God.
He dedicates his long life, every day of it, to a life of service, silently rebuking the crimes of his sons, their faithlessness and their selfish, mercenary ways.
And his days are long in the land.
Eli, complicit in the sins of his sons because he did not prevent them, or restrain them, lives a life of love to the God who he has failed as a father.
But not as a priest. He continues in that role until his body quite simply gives out.
And he atones for his failures as a parent by raising Samuel, whose fame will completely eclipse his own reputation, and who is the first of the line of the great prophets, but who learned how to hear the call from Eli, and learned also from Eli to speak the truth, without fear.
Eli’s response—to not reject the God who has told him that he and his family will not, after all, be the channel of revelation, instead selflessly assists in the education, training and formation of the prophet who will replace him.
And in so doing, a dramatic amount of redemption is achieved. Eli is not forgotten. We can’t forget him—without him, Samuel could not recognize God’s call to his own destiny, and so when we encounter Eli it is in that role—the man who, upon learning that he himself will fall, makes the most of the unknown amount of time he has left. Thousands of years have passed, and we are still reading about Samuel—and we can’t read about Samuel without reading about Eli. His choice helped the light to blaze up, and overcome the darker parts of the pattern of his flawed fallible life.
When the fall is all there is, it matters.
We will each and every one of us fall one day. We’re mortal, and we, like Eli, are flawed and fallible. Our lives are finite, oh, so finite, and like Eli before us, we have no idea when that last fall will come. So, like Eli, we must make a decision.
Not a decision to be free of sin—of failure, or regret. We can’t achieve that.
Not a decision to leave behind us great accomplishments that will fade with the memories of those who knew us, loved us, or not, as the case may be.
No, I can’t help but think that for us here today, a first step in answering the call while recognizing our own weaknesses and failings, is found in the words of Henri Frédéric Amiel, as my own mentor Bill Tully used to quote to us so often:
Life is short and we do not have much time to gladden the hearts of those who are traveling the dark journey with us. So be swift to love, make haste to be kind.
After all, when the fall is all there is, it matters.
In the name of God, Creator, Redeemer, and Sustainer.
Pentecost! The onrush of wind, divided tongues of fire, the disciples and the disciples speaking the languages of all who were gathered there!
The birthday of the Church, the coming upon the crowd of the Holy Spirit, fulfilling Jesus’s promise that he would send upon them, as he calls her, the Advocate.
You don’t get much bigger than this. Christmas, Easter, and Pentecost could be called the big three joyful feasts of the Church.
Christmas. The beginning of Jesus’s life, the birth of new hope in the frail baby cradled in his young mother’s arms.
Easter. The shocking reversal of the story that had seemingly ended in tragedy and futility.
And now Pentecost. The new courage of the disciples, who are now out in the world preaching in every tomgue known to the ancient world, and the sudden proof that the Spirit would lead the Jesus Movement to every corner of the globe.
Heady stuff.
But we live in an age where the very nature of the Christian faith is up for debate. Where the name of Jesus is claimed by those who defend white nationalism, misogyny, anti-semitism, and who display contemptuous indifference to the poor, the refugee, the sick and suffering.
The problem has gotten so widespread that a wide group of religious elders from many Christian denominations, including our own Presiding Bishop, Michael Curry—who you might have noticed had a good day yesterday—have released a statement and an accompanying video [above] of them each reading portions of the statement in turn, declaring the need to “Reclaim the name of Jesus,” by returning to his words, and the example of his earliest followers. I commend the letter and the video to you. I’ve watched it several times, and think hearing these very different elders speak real biblical truth is an act worthy of our notice and admiration.
But what about our emulation?
How do we reclaim the name of Jesus? After all, we’re not high-ranking religious leaders. I can tweet the video out, and tell you about it, but that’s clearly not going to make much of a ripple, let alone the world-changing wave the apostles began so many years ago on their Pentecost.
And then I read the Epistle for today.
Now, I’m going to read part to you again, because, for reasons that I don’t quite get, the Lectionary cuts off the last, and most critical verse.
And, since you’ve heard it once before, I’m going to read in the Authorized Version—the so-called King James version—because the NRSV sacrifices some of the emotive power of the passage in creating the most accurate translation. The 17th Century language conveys the intensity in a way that the NRSV just doesn't.
So here goes, back to the language of Shakespeare:
For we know that the whole creation groaneth and travaileth in pain together until now.
And not only they, but ourselves also, which have the firstfruits of the Spirit, even we ourselves groan within ourselves, waiting for the adoption, to wit, the redemption of our body. For we are saved by hope: but hope that is seen is not hope: for what [one] seeth, why doth he [or she] yet hope for?
But if we hope for that we see not, then do we with patience wait for it.
Likewise the Spirit also helpeth our infirmities: for we know not what we should pray for as we ought: but the Spirit itself maketh intercession for us with groanings which cannot be uttered.
And he that searcheth the hearts knoweth what is the mind of the Spirit, because he maketh intercession for the saints according to the will of God.
And we know that all things work together for good to them that love God, to them who are the called according to his purpose.
Now there’s a lot here we could unpack. But let’s start with the high points.
First: The conflict, division, and pain that is currently afflicting the world is not God’s will for us, or for the rest of creation. Cruelty, waste, the abandonment of people to poverty, war or homelessness—the whole tragic litany of our species’ willingness to exploit or ignore the suffering of our fellow living creatures is not how God made the world.
It’s how we have made the world.
Second: Hope. In Hesiod’s Works and Days, which includes the earliest version of the Pandora myth, after Pandora releases all of the ills and pains we suffer, hope remains behind. It’s unclear whether hope is a good thing, or the last, most subtle torment of all—that we are denied the ability to come to terms with the human condition because of our persistent belief in hope.
St Paul, who, as a Roman citizen, would have known this story, and its ambiguities, squarely rejects this reading. We are saved by hope, he writes, with absolute certainty. And not by realistic hope, that we can plan or plot to bring to fruition. No, no—if you see it coming, or can help make it happen—that’s not hope. It’s not salvation.
No, hope is the unexpected. The surprise from God, not the salvation you work out for yourself. It’s finding your partner, your other half, the person who completes you, after giving up on the search.
It’s God calling you into a new way of life, not dramatically, but in the still, small voice that is liberated in your heart, and, after years of not even knowing it was there, points you in the new direction.
To just put a little flesh on that, when, 12 years ago, I stood alone and gazed around, bidding farewell to home I had thought would be mine for the rest of my life, and asked myself what now? The answer rose out of some long-hidden corner of my heart: You’re free to be a deacon now. Free to be something I didn’t even know I wanted. Until I knew, among the ruins of an old life.
Those inarticulate, seemingly unfocused yearnings, that we all have, those moments when you grasp in the dark knowing there’s a name just out of reach, a desire for a more authentic, truer you—that’s the Spirit, uttering groanings on our behalf, because we’ve lost touch with exactly what that more authentic self, that truer life is. We can’t formulate it into words, but deep within our souls, that truth is laboring to give birth to realization.
And now the most important part. And we know that all things work together for good to them that love God. Read that the wrong way, and it’s unbearably smug; “Oh, everything works out for the best. It’ll all be ok.”
No. That’s absolute rubbish.
Susan Howatch in her novel Absolute Truths suggests that the translation of this passage is slightly off. The Greek verb, she argues should read not “all things work together for good,” but rather “all things intermingle for good.” The bad things remain bad. The good remains good. But together, she says, they make a pattern.
Bad things happen to us, to the ones we love. Even to the ones we struggle to love, struggle to not hate.
Those sufferings are not from God.
But the question is what God does with them, and us. What we do with our anger and pain.
I knew, many years ago, a woman who had been abusive to her children, one of whom was close to me. She had spent decades putting off the reckoning, keeping a glossy front, and playing the part of the good mother. When she was diagnosed with terminal cancer, she could have continued playing a part, but instead she suddenly realized that, with regard to the relationships she had so damaged, it was now or never. So she reached out to her children, admitted the wrongs had done to them, and asked their forgiveness.
She died not all that long afterwards. But she died reconciled with her family, having used the last months of her life to care about them, and for them.
Her cancer was terrible. Her reaction to it was of God. She seized the opportunity while she still could, and did what she could to achieve healing.
And the final pattern of her life, the one her children, and even me, the outsider, all looked back on after her death, painted a portrait of a person who had made very grievous errors, but had loved the ones she hurt enough to try to heal the wounds she inflicted, an to try in her last days, when selfishness or fear could have led her.
And yet, had the sudden recognition of her impending mortality not come, would she had ever taken those steps?
That pattern echoes in each of our lives, though rarely so dramatically. Every mistake we make, every time we are betrayed by those we trust, every hurt we inflict—leads to something. They become a part of us, of our story.
How do we react? Do we try to play our part in the work of redemption by learning to forgive, and, what’s even harder, to seek and accept forgiveness ourselves.
Do we listen for that still, small voice of the Advocate inside, leading us to where we are needed, what we can do?
Do we welcome the stranger, receive each guest as Christ, as the Rule of St. Benedict, hanging outside these church walls for as long as I can remember, require?
Do we reclaim the name of Jesus, by modeling in our own lives exemplifying what he taught us?
Do we become more open, more loving?
Do we embrace the life of abundance and abundant love Jesus promises us, and toward which the Advocate urges us?
Well, that may sound like a lot.
In fact, it is.
And I’m not here to pretend that I live up this goal every day.
Especially on days when I’m under-caffeinated.
So start small.
Embrace life in abundance.
Use the time you have, because it’s finite, and we don’t know when it will run out.
Love.
Still daunting? OK. Try it this way; I’ll steal a dictum from Steven Moffat, a secular writer as a good staring point.
Laugh hard.
Run fast.
Be kind.
Because if we try to do these things, then the pattern of our own lives will be one in which we can affirm, with St. Paul, that all things work together for good to them that love God, and that we—you and I—have been called according to his purpose, and that we have done our best, in our own small way, to make our answer “yes.”
Well, we're back. Since I have managed to find a watchable version of Patrick Troughton's sophomore story, The Highlanders, we can carry on traveling, after all.
The thing that stands out about The Highlanders is just how competent everybody is in this story. Polly shows steely courage and initiative, getting herself and the laird's daughter Kirsty out of danger, and becomes a proactive force in her own right. In fact, in the end, Polly saves the day--her quick obtaining of a blackmailing hold over Lieutenant Algernon Ffinch (the least bad of the English portrayed in the story) repays her throughout the story, and gives the TARDIS crew a guide back to the ship after the Doctor's hostage, the creepy solicitor-slave trader Grey, escapes.
Throughout, Anneke Wills is the standout of this story--once she has some of Ffinch's hair and his identity disc, and can thus prove he was outwitted by, as she puts it, "two girls" (Kirsty helps!), her blackmailing mixes charm and menace--the stiff Englishman finds himself called "Algy" almost affectionately by Polly, even as she is coercing him into handing over all his money, violating orders, and risking court martial. Polly's teasing familiarity is both an assertion of power over him (his title and grandiloquent name--that is, his very identity-- are taken from him by her as much as is his money), and yet she is not entirely cruel to him; the stakes are kept bearable for him. (Like Arnold Zeck before her, Polly knows that a blackmail victim must be allowed hope, and not be "pushed to extremities".) She's gutsy, funny and flirty.
Michael Craze's Ben is also very good--escaping torture because he's familiar with the techniques of Harry Houdini, reassuring the rattled young piper Jamie (a solid, but not yet outstanding Frazer Hines), that the Doctor is trustworthy, and figuring out the Doctor's plan pretty quickly.
And Troughton? He's a protean force here, masquerading as a German Doctor von Wer" (yes, that's "Doctor Who" auf Deutsch), complete with Teutonic accent, and an old beggar woman as the plot requires. He naps at one critical juncture, as Kirsty and Polly are champing at the bit to have a plan of action. The Doctor here is less a cosmic hobo than a man--well, I hate to outsource my own commentary, but Elizabeth Sandifer pretty much nails it:
From there, almost immediately, the story just becomes a compilation of "stuff we couldn't get Hartnell to do." Prance about in a comedy German accent and do intense and oddly violent comedy scenes of humorously torturing people? Check. Cross-dress? Check. Be oddly obsessed with stealing people's hats? Check. Basically, liberated by his metaphysical change from the tedious requirement that he be remotely sane, the Doctor goes completely nuts here, hamming for the camera, firing off one-liners to nobody in particular, and generally having a good time, while, distantly in the background, some kidnappings and rescues go on.
This is where the spotters guide approach falls short, then. Because this isn't the last historical, due largely to the fact that other than having no overt science fiction elements, nothing about it even faintly resembles historicals we've seen before. In terms of televised Doctor Who, The Smugglers was the last historical, and this is just a parody of the genre to reiterate after last time that the entire rulebook has been chucked out the window.
We don't yet know what Doctor Who, as Sandifer writes. We're not yet sure who the Doctor is anymore. But he's fast, and funny, and watchable. Even in a recon.
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